Inon Barnatan, piano
The brilliant Israeli pianist Inon Barnatan debuts on Avie with Darknesse Visible, an album of colourful and atmospheric masterpieces by French composers Ravel and Debussy, and Englishmen Thomas Adès and Ronald Stevenson. Inspired by the title track, Adès’ Darknesse Visible – a wondrous and dreamlike prism on the John Dowland song In Darkness Let Me Dwell – Inon chose works that are linked by different characteristics of darkness in the music, and all inspired by literature. Ravel’s inspiration for Gaspard de la Nuit was the gothic, haunting quality of Aloysius Bertrand’s poetry, while La Valse builds in intensity and works itself into a satanic frenzy. At the heart of Debussy’s Suite Bergamasque is the enchanting Clair de Lune, whose masked figures of the Verlaine poem of the same name dance in the moonlight. Ronald Stevenson’s compelling fantasy on themes from Peter Grimes brings out the dark side of human nature as explored in Britten’s celebrated opera.
Trained at the Royal Academy of Music in London and now resident in New York City, Inon Barnatan has gained an international reputation for engaging and communicative performances that pair insightful interpretation with impeccable technique. He performs a diverse range of repertoire and is equally valued as a concerto soloist, recitalist and chamber musician. Inon has performed with the Israel Philharmonic Orchestra, Netherlands Chamber Orchestra, Orchestre de la Suisse Romande, and toured with the Academy of St. Martin in the Fields. In North America he has had performed with the Cleveland Orchestra, Houston, Philadelphia and San Francisco Symphonies, and at Carnegie Hall, the Metropolitan Museum and Alice Tully Hall, and is a regular collaborator with the Chamber Music Society of Lincoln Center. In 2009, he was awarded the Avery Fisher Career Grant.
EXPLORE MORE by watching these fascinating video vignettes, collaborations with videographer Tristan Cook and visual artist Zack Smithey. Cook says: “When Inon approached me to create this series of vignettes, Zack immediately came to mind. Zack has been fascinated with the relationship between music and the visual arts for some time now, and the idea of literary association (as found throughout Darknesse Visible) seemed like the perfect third layer to fold into our collaboration. With these videos, we wanted to gently allude to the source material while creating a stage for the art to behave on its own: the flow of a cup of paint, the weight of black ink, the strange dance of non-Newtonian liquids, to name a few. We stressed that every effect be practical, i.e. there were no digital effects involved. And above all we were curious to prove to ourselves that there are yet new ways of visualizing music as rich as this through a rigorous process of examination and discovery.”
Maurice RAVEL (1875 – 1937)
Gaspard de la nuit
1. Ondine (7:09)
2. Le Gibet (6:48)
3. Scarbo (9:37)
Thomas ADÈS (b. 1971)
4. Darknesse Visible (7:47)
Claude DEBUSSY (1862 – 1918)
5. Prelude (4:11)
6. Minuet (4:09)
7. Clair de Lune (5:16)
8. Passepied (3:30)
Benjamin BRITTEN (1913 – 1976) / Ronald STEVENSON (b. 1928)
9. Fantasy on Peter Grimes (9:07)
10. La Valse (12:02)
Total Time: 69:26
Recorded 8 – 10 February 2010, The Performing Arts Center, SUNY Purchase, New York
Producer, balance engineer and editing: Adam Abeshouse
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