Ran Dank | piano
Technically dazzling and intellectually probing artistry exemplify Ran Dank‘s pianism and musicality—captivating audiences and critics alike.
A prolific soloist, recitalist, and chamber musician, Mr. Dank’s recent performances have included recitals at the San Francisco Performances Series, Gilmore, Ravinia, Carnegie Hall’s Zankel and Weill Halls, Steinway Hall, Gardner Museum, Kennedy Center, Town Hall, Yale School of Music, Library of Congress, Philips Collection, Morgan Library, Pro Musica in San Miguel de Allende, Mexico, Portland Ovations, and have garnered critical acclaim from the New York Times and The Washington Post. Mr. Dank has performed as a soloist with the orchestras of Cleveland, Sydney, St. Luke’s, Portland, Eugene, Toledo, Hawaii, Kansas City, Vermont, Charleston, Jerusalem, Valencia, Phoenix, Hilton Head, among others, working under the batons such as Michael Stern, Jahja Ling, Michael Christie, Kirill Karabits, Jun Märkl, Pinchas Zukerman, Jorge Mester, Jaime Laredo, and Ken-David Masur. His chamber music festival appearances have included Santa Fe, Seattle, Chanel in Tokyo, Great Lakes, Bridgehampton, Cooperstown, Mänttä, Bowdoin, Maverick, Skaneateles, and Montreal, and he has collaborated with luminaries of the field such as Paul Watkins, Augustin Hadelich, Eugene Drucker, Jaime Laredo, Sharon Robinson, James Ehnes, and The Orion, Shanghai, Takács, and Dover String Quartets. Mr. Dank’s recent performance of the monumental set of variations “The People United Will Never Be Defeated!” at the University of Chicago has been selected as one of the top ten performances of 2017 by the Chicago Classical Review.
Mr. Dank’s is an ardent advocate for contemporary music, and has performed in recent seasons Kevin Puts’ piano concerto “Night,” the Tobias Picker concerto, “Keys to the City,” Frederic Rzewski’s “The People United Will Never Be Defeated,” William Bolcom’s Pulitzer-winning set of “Twelve New Etudes,” and has given, alongside pianist and wife, Soyeon Kate Lee, the world premieres of Frederic Rzewski’s “Four Hands,” Alexander Goehr’s “Seven Impromptus” and Marc-André Hamelin’s “Tango” for piano four-hands.
Ran Dank is the co-artistic director and founder of Music by the Glass, a concert series held in a New York SoHo art gallery, dedicated to bringing together young professionals in NYC.
Mr. Dank has received his Bachelors of Music the from Tel-Aviv University, his Masters of Music and Artist Diploma from the Juilliard School, and his Doctorate of Music from the Graduate Center in CUNY. His teachers and mentors include Emanuel Ax, Joseph Kalichstein, Robert McDonald, Richard Goode, and Ursula Oppens. He is the recipient of numerous honors, including prizes in the Naumburg, Sydney, Cleveland, and the Hilton Head International Piano Competitions.
He serves as an assistant professor of piano at the University of Cincinnati, College Conservatory of Music, and is on the faculty of the Bowdoin International Music Festival.