Edward Vogel (baritone)
Described by Opera News as “accomplished, stylistically informed,” and “sonorous,” baritone Edward Vogel finds his passion in performing early music, oratorio, and art song. Possessing a diverse solo repertoire spanning nearly ten centuries, his sensitive interpretations have been heard onstage with such orchestras as the New Haven Symphony Orchestra; Apollo’s …
Jacob Perry (tenor)
Tenor Jacob Perry Jr., based in the Washington Metro Area, receives praise for his “gorgeous and stylish” interpretations of Renaissance and Baroque repertoire (ClevelandClassical.com). He has been featured as a soloist with Apollo’s Fire, Handel Choir of Baltimore, Mountainside Baroque, Tempesta di Mare, The Thirteen, Washington Bach Consort, and The City Choir of Washington. Jacob has been selected …
Daniel Moody (countertenor)
Lauded for his “profoundly startling vocal resonance” (The New York Times) and “sweet and melancholy sound” (The Washington Post), Daniel Moody is celebrated for his interpretations of contemporary and baroque opera and as a soloist with orchestra. Moody recently made debuts at the Metropolitan Opera in Brett Dean’s Hamlet as …
Molly Netter (soprano)
Entrenched in a multitude of styles from an early age, Canadian-American soprano Molly Netter enlivens complex and beautiful music, both old and new. Noted for her “natural warmth” (LA Times) and “clear, beautiful tone” (NY Times), Molly’s voice can be heard on five GRAMMY-nominated albums since 2017. Highly sought after as a …
Margaret Carpenter Haigh (soprano)
Praised as “fiery, wild, and dangerous” (Classical Voice North Carolina) with “a talent for character portrayal” (Chicago Classical Review), soprano Margaret Carpenter Haigh captivates audiences with her “flawless intonation” and “perfect vocalism” (CVNC). Commanding “expressive power, exquisite diction, and a clear, flexible voice” (Cleveland Classical), Margaret is in demand as …
